Writing Inspiration Archives - Writing Like a Dancer

WRITING ABOUT TREES

Posted on August 24, 2018 by writ7707 Posted in Anecdote, Personal Writing, Setting as Character, The Writing Life, The Writing Muse, Writing about the Environment, Writing about the natural world, Writing about Young Children, Writing Inspiration 2 Comments

Writing Practice and Meeting up with Your Muse

Writing Leap #76

Writing About Trees

Hi Writers,

My writing muse, the dancer Isadora Duncan, continues to twirl softly in my imagination. I’m thrilled by her passion to stay true to her own “Isadora” song, to nurture it, to love it, and then express it in dance.

Isadora now keeps company, however, with more of my muses: everything that lives and grows and coexists outside, sheltered by the sky. I have always been in awe of the natural world and now I seek out trees, flowers, shorelines and woodland paths to inspire me. They speak a non-human language. Sometimes I draw them first before writing.

Do you love farmlands, leopards, hummingbirds? A fleeting feeling of recognition and connection can morph into a page or pages of writing. For a writer there is nothing more soul-satisfying, right?

I sat for a long time in front of a very old scraggly beech tree in the hush of a grassy glen. The scene and the moment were protected by a low stone wall that looked more ancient than the tree. After awhile a little girl popped into my imagination. Here she is.

Annie ran and ran deeper into the woods, letting the tears fall that she had scrunched behind her eyes all morning. It was her ninth birthday and Mama was in the hospital.

She found her tree, so, so tall. She looked up and felt the comfort of the sunlight peeking through its leaves and branches. Her tree must have been here a long, long time, she thought. It was a grandpa tree—bark peeling off, branches that hugged each other, as if they were holding each other up.

A little beetle landed on Annie’s arm ever so gently. She looked into its tiny eyes. “I love you, little beetle.” She couldn’t help herself.

A rustle of the wind brought the beetle’s words to Annie. “I know you are sad,” he seemed to say. “I’m sad sometimes too. But you know what I do?”

“What?” Maggie whispered. She didn’t think it at all strange that the beetle was talking to her. Or that she understood him.

“I climb on the old stone wall over there, clear to the top,” he said. “And I feel better. The wall cradles me in a kind way.” The beetle shifted positions on Annie’s arm and went on. “Then I climb up the stem of that yellow buttercup by your tree and rest in the middle of its petals. I can tell the buttercup loves that I’m there.” He paused. “Then I look around and notice all the different shades of green leaves that I see in this clearing—bright green, yellow-green, dark, dark green almost black, and I feel the leaves, big ones, pointy ones, raggedy ones, all sending me comfort. They like me.” The beetle turned its eyes towards Annie’s face. “And most important of all I beam love back to them.” The beetle showed his wings and started to fly away. “And when I go back to my home under the tree roots I may still have some sadness but I know I’m not alone.”

Annie watched the beetle land on a bent blade of grass. Right next to her worries about Mama, she made room in her heart for the comfort of the grandpa beech tree, the protection of the old stone wall, and the friendliness of the butterflies dancing around the soft-colored wildflowers.

Happy Writing Outdoors Everyone,

LINKING THE ARTS

Annie’s Grandpa Tree

A sweet book for children and grown-ups

WRITING ABOUT NARCISSISM

Posted on April 1, 2017 by writ7707 Posted in Character Description, Commentary News, The Writing Life, The Writing Muse, Writing, writing about empathy, Writing Inspiration, Writing Muse, Writing the Political Mood Leave a comment

Writing Practice and Meeting up with your Muse

Writing Leap #74

WRITING ABOUT NARCISSISM

Hi Writers,

Wikipedia. “Narcissism is the pursuit of gratification from vanity or egotistic admiration of one’s own attributes.”

Most of us have had some acquaintance with narcissistic personalities, either personally or in fiction or in public figures in the news. Narcissism can reach across a broad spectrum from “self-involvement” to serious psychiatric disorders.

This is rich territory for writers. Do the characters in your story get pulled in by your fictional narcissist? Do they fight it? Do they suffer from it? Each response to the narcissist can reveal deep layers in your other characters. Why are they responding this way? How does this affect the plot?

Here’s my narcissist.

Richard spun completely around when he spotted the sleek orange car parked on the cobblestones near the main piazza. He let out a long, low whistle. “Man!” he said. “That’s a brand new Ferrari convertible!” He pushed his hands into the pockets of his Virginia Tech baseball jacket and peered inside. The dashboard, steering wheel, the whole interior gleamed up at him, an awesome, lustrous saddle brown nest for two.

“Can you imagine winding around the narrow coast road in that car,” said Richard’s friend, Maudie? “Yikes.” She pointed to the steep cliffs bordered below by a ribbon of a road that looked down onto an aquamarine ocean. “I bet you’d give anything to drive that car.” Richard ignored her. He seemed mesmerized.

Their student group had just arrived in Ravello, down from Naples in the Gulf of Salerno on the Amalfi coast. It was the last leg of their tour. Maudie played the part of Richard’s buddy since he had informed her straight out, in front of some other students on their tour, that he and Maudie were friends, just friends, nothing romantic. He had given her a glance that said, “My girlfriend? With a jellyroll behind like yours? I don’t think so.”

Maudie was smart. Richard cut her off every time she talked about medieval Italian history or spoke a few words of Italian. He would just budge in and mimic an Italian accent in English. Richard wasn’t learning a word of Italian. He had trouble with languages, a fact he denied to himself. Only idiots bothered to learn a language they would never use, he claimed.

Richard walked around and patted the back of the orange Ferrari where the huge engine lived. A Ferrari was sheer power with a capital “P.” Ferrari’s ruled the road. And guess what. Richard made damn sure he ruled his universe. His gaze was slightly threatening, his bearing straight and unyielding. He WAS the Ferrari, irresistible, he thought, unconquerable.

A young man with a sweater tied around his shoulders in that nonchalant Italian way came into view. Maudie just knew he lived here, was born here. He walked down the narrow sloping street as sure-footed as a graceful mountain goat. Maybe he lived in one of those big white stucco houses in the steep cliffside gardens high above sea level? “So beautiful,” Maudie thought, as her eyes swept across the cliffs bursting with wild purple orchids and big stretches of moss green olive trees dotted with pink blossoms. She had done her botanical research.

“Hey, that’s the son of the owner of our hotel,” said Richard. He showed his palm to Maudie and traced out a dollar sign. “They have big bucks. His father owns lots of hotels.”

“Ciao,” said the young man approaching the car. He put his hand on the door handle.

“Ciao,” said Maudie. Naturally he had big brown eyes and dark curly hair and a smile full of Italian sunshine. Did her new white jeans make her look too fat? Yes, of course they did. Everything made her look fat. Because she was fat. Not huge fat, but clearly chubby. Richard had actually said in front of the whole group at dinner last night that she should lay off the pasta, ha-ha, and once again her face had flushed humiliation red.

“Uh, ciao,” said Richard. “Really cool car.”

“No Inglese,” the young man laughed, but reached out to shake hands with Richard and Maudie. “Beppe.” He pointed to himself.

“I’m Richard. We’re staying at your hotel.” Beppe concentrated. “Ah, l’albergo di mio papà.”

Maudie nodded and stuck out her hand. “Maudie.”

Beppe swept his arm out to offer a ride in the Ferrari. He put up one finger to show there was only room for one passenger.

Even though Maudie had made an effort to appear carefree and continental and had put a flower in her hair, she made no attempt to get in the car before Richard. “Beppe is dynamite-looking,” she thought. “He would never want to take me anyway.”

Richard pushed her slightly and slid into the low, curved passenger seat. It wrapped his body in utter comfort. He ran his hand across the leather on the side of his seat. Soft as butter. He tapped Beppe on the shoulder. This will be so funny, Richard thought. He pointed to Maudie and acted out being sick to one’s stomach. He pretended to throw up all over the perfect leather steering wheel. He pointed to Maudie’s stomach and shook his head, “No, no.” Beppe shrugged his shoulders, smiled at Maudie in an embarrassed way, and pushed the red thumb start button on the wheel.

What a steering wheel, full of controls and the Ferrari insignia, a yellow and black prancing horse. “Cool, so cool.” Richard said. They buckled up and took off, a lightning bolt skirting around the busy piazza. Maudie heard the initial roar of the incredible motor settle into a low hum of contentment. Richard waved at Maudie without turning around. She heard him shout, “Sorry Maudie!” I bet she wishes she were me, he thought. Within ten seconds he had completely forgotten about her.

***

Richard is a real narcissistic jerk, right? He wants to ride in the Ferrari and he WILL ride in the Ferrari. Why? Because this is what he wants, that’s all. He humiliates Maudie just because he can. Empathy is not an option for him. Her feelings? He has no idea about them. Besides, Maudie’s intelligence may show him up at any given time.

Narcissistic characters in your stories can sneak into the lives of your other characters and cause chaos, puffer fish that poison unsuspecting diners. We dislike characters so blatantly self-absorbed and cruel. However, authentic antagonists deepen our story. We just have to watch out that our narcissistic character doesn’t become one-dimensional, an unbelievable caricature. So maybe Richard could rescue a wounded alley cat, bring him to an animal shelter and not tell anybody about it? Then we ask, does he do it to feel magnanimous or does he just do it?

Go ahead writers! Create your narcissist. He or she will open up a treasure chest of possible reactions from your other characters. Maybe Maudie goes back to the hotel and organizes a group of her fellow students to shun Richard? Or maybe a friend helps her to really understand that her humiliation in the piazza was Richard’s problem and not hers? Let’s have Maudie get her ride in that sensational orange Ferrari. Let’s have her laugh with her friends and fall in love with Italy.

***

Doing the research for a piece of writing is for me one of the best parts of the whole process. Thank you to my sister, Laurie, an enthusiastic connoisseur of Italy, for giving me a picture of the geography of the area. Thank you to my son, G.J., a passionate car person if there ever was one, for deepening my appreciation for the incredible Ferrari. Our “research trip” together to a Ferrari automobile showroom to see the actual car, chit-chat with a salesman in love with these cars and get caught up in the Ferrari mystique was more than fun.

And finally, I have been floating around in a semi-haze of writer’s block for three months. The current political news, and my writer’s obligation to respond to it (indirectly), snapped me out of my creative fog. I am so happy to be back. Thank you New York Times. You are definitely not fake news.

Happy Writing Everyone,

LINKING THE ARTS

Images

Books

The Picture of Dorian Gray by Oscar Wilde, 1890

Look what happened to poor Dorian Gray, the quintessential narcissist.

WRITING THE POLITICAL MOOD

Posted on November 17, 2016 by writ7707 Posted in Character Description, Fiction Based on Fact, The Writing Life, The Writing Muse, Uncategorized, Writing, Writing about Young Children, Writing Emotional Moments, Writing Historical Fiction, Writing Inspiration, Writing Muse, Writing the Incident, Writing the Political Mood Leave a comment

Writing Practice and Meeting up with your Muse

Writing Leap #72

Hi Writers,

As writers we are in a unique position to express how we are experiencing events in the current political climate through fiction. Fiction enables us to make our point indirectly through showing rather than telling. Showing is always more powerful and immediate.

This new edit of my Thanksgiving post from last year sprung from my gut reaction to the current mood concerning women in our country.

The First Thanksgiving

He would eat standing up. To sit next to an ash-skinned man at a crowded table, maybe have to touch arms, would kill him.

He was fourteen.

He was a ferocious warrior.

And he would stand.

As far away from those moon-colored faces showing all their teeth as he could.

Which wasn’t far. He felt his father’s eyes flashing fire at him,

But even if his father suspected his thoughts he would never see them on his son’s face. The muscles around the young warrior’s eyes and mouth were as still as stone.

His weapon hung loosely at his side begging him to grab it.

Lots of gunfire this morning from this white settlement. Surely an attempt for a full out attack on his whole tribe. His blood raged. He would devour them. Chop them up like whale meat. He was well aware of how easy that would be for him.

She brought him a platter of paleface overcooked venison and stupid-looking cranberries. She was his age, he thought, but mush. Not hard and magnificent like his mother and his sisters.

“Seconds?” she asked. Washed out blue eyes. Worst of all she had yellow straw for hair. A freak.

He just stared.

He pinched her breast through her starched apron. Hard.

Her mouth flew open.

He didn’t have to look at his father to see the gesture of fury directed at him. It said, “Leave. NOW.”

As he turned to go the young girl took the platter of venison and cranberries and dumped the whole mess on his head. And then she did something surely God would punish her for. She gave him a hard pinch on his behind. He let out a roar, looked at his father and willed himself to stand stark still.

The girl walked back to her mother, sure of step and mouth set. She sat down at her place at the Thanksgiving table and forced herself to breath evenly. In a quiet voice her mother said to her, “Good.”

Last year the young girl fainted. That was last year.

Happy Writing and Happy Thanksgiving all you writers out there,

WRITERS AND MEMORY BEAMS

Posted on September 21, 2016 by writ7707 Posted in Anecdote, Personal Writing, The Writing Life, The Writing Muse, Writing about Young Children, Writing Emotional Moments, Writing from a detail, Writing Inspiration, Writing Muse Leave a comment

Writing Practice and Meeting up with your Muse

Writing Leap #70

Hi Writers,

You know how the flash of a memory can suddenly bloom in your heart, full of feeling and clear visual details? These beams from the past can illuminate rich, loamy soil for story-growing. Another source of inspiration!

For me, the moment comes unbidded, unlike moments I may search to remember. That’s the beauty of a memory beam. It’s our muse whispering in our ears from deep down. I’ve found the moment usually carries a lot of emotion. I’m there. I feel it in my pulse.

I’ve even wondered if these memory flashes appear to writers for a reason. To push us to write? To understand? Or for me, this time, to relive a loving closeness between me and my then six-year-old son, G.J., thirty-three years later.

G.J. and Mama in Vermont. As it Really Happened and Brought Back by a Memory Beam

The long farm table in the small country dining room was set at one end for just four people; G.J., me and the husband and wife proprietors of a small inn near Sugarbush, Vermont. We were the only guests, there to ski.

Was that LASAGNA I smelled coming from the kitchen?! I looked at the wife as she brought in the warm fragrant dish and set it down in front of G.J. “Your Mom told me this was your favorite, favorite thing to eat. I made it special for you.”

I looked up at her sweet face. “How kind and wonderful. Thank you,” I said softly. The atmosphere called for softness. G.J.’s big brown eyes grew wide and his smile was sunshine on his adorable face. (I’m allowed this. I’m his mother.)

“Wow,” He said. “That’s a lot of Lasagna! Thanks!”

And later, “She doesn’t even know me and she made me Lasagna.”

After a day of skiing we tromp back into the Inn covered with snow. We had left a copy of “Charlotte’s Web,” a book we are reading together on the night table. The husband says, “I saw your book, G.J. Hope you don’t mind that I read it. One of my favorites from when I was your age.”

This tickles G.J. who was feeling so good about his runs down the mountain. He was a great little skier, advanced for his age, and I was hoping he believed me when I praised him and that he really felt it. Like most children, he had a little shy streak. I looked at him taking off his boots. I felt our special time together.

At some point the doorbell rings at the Inn and the couple greet friends. “Evening Brother John. Evening Sister Mary. Come in!”

Perhaps they were Quakers. I don’t know. But they created an environment where G.J. and I were so happy. I love thinking of them. I cherish the memory of our trip to Vermont, just G.J. and Mama. Thank you, my muse, for bringing it back in such a gush.

So Writers. If you like, create a story around a spontaneous memory. As it happened or as inspiration for your fiction. You never know when a memory beam will light up an idea. Here’s to your very own muse,

LINKING THE ARTS

Books: Charlotte’s Web by E.B. White

Sharing a book with a child is an act of love.

Word: Kindness. As shown by the gentle innkeepers in Vermont. The spontaneous whoosh that flows out golden and can make a child feel much loved.

WRITERS AND THE ENVIRONMENT

Posted on July 13, 2016 by writ7707 Posted in Anecdote, The Writing Life, The Writing Muse, Uncategorized, Writing, Writing about the Environment, Writing Emotional Moments, Writing Inspiration, Writing Muse, Writing the Vignette 1 Comment

Writing Practice and Meeting up with your Muse

Writing Leap #68

Hi Writers,

Delve into how your character relates to the natural world and see how you can evoke deeper aspects of his personality. Maybe he’s an obsessive recycler, a passion that comes from his relationship with his mother who refused to recycle anything. Or maybe your character scoffs at the idea of global warming because she’s a very conservative thinker. As with other grand issues like religion, love relationships, power struggles, your character’s take on the environment can reveal much about how he maneuvers through your story.

Here’s mine.

Gilly was happy to be an assistant counselor at Junior Environmentalists Camp for a hundred reasons. She loved that the campers and staff picked their way through the woods like she did, breathing in the oxygen offered by the trees, breathing out carbon dioxide to send back to them. She loved using electric lights and computers sparingly. She loved teaching her little campers not to pick the wildflowers. “Enjoy them where they grow! Aren’t they beautiful?” She was part of a huge commitment to revere the environment and the feeling of belonging to this little community assured her that she measured up, that she was on the right side of things and that consequently she was an appealing person.

Gilly also loved Jake, a fellow counselor. They shared the same birthday, July 29, when they both turned fifteen. They gave each other “Surviving in the Wilderness” manuals for presents. They had both read The Legacy of Luna, The Story of a Tree, a Woman and the Struggle to Save the Redwoods.

But Gilly had a shameful secret that burned in her stomach and chest. She was terrified of bugs. She couldn’t help it and she was in constant fear that some one would find out. One day in the woods with Jake and their campers she felt something crawling up her leg. Ugh! Involuntarily she slapped off a large, green, pokey thing, Ugh, and then squished it with her sneaker. She looked down. It squirmed. Then it didn’t. Dead.

“Oh,” she said. She felt her mortification pop out all over her. “I don’t know why I did that, I’m sorry,” she whispered.

“That was bad, Gilly,” Jake said backing away from her. “What did that bug ever do to you?”

He turned his back and walked away. The campers followed him. First they looked at Gilly in disbelief, then, Gilly could sense it, with disdain.

She was a fraud. For sure Jake thought so now. She had no business being in this camp. She was shallow compared to every other person here. Gilly flushed red and wished she could melt right into the leafy path and disappear.

End

Note: I could never just leave this story here. I would have Gilly find her gumption and most of all her sense of self-worth some other way and she would triumph inside herself!

Happy summer writing everyone. A perfect time to find your muse outdoors somewhere.

LINKING THE ARTS

Julia Butterfly Hill lived on a platform in a redwood tree for 738 days to protest the clearcutting of a grove of giant redwood trees in California. And then she wrote about it.

WRITING AND THE CHRISTMAS GRINCH

Posted on December 27, 2015 by writ7707 Posted in The Writing Life, The Writing Muse, Writing Inspiration, Writing Muse, Writing Time 1 Comment

Writing Practice and Meeting up with your MUSE

Writing Leap #61

Hi Writers,

In his picture book, How the Grinch Stole Christmas, Dr. Seuss created The Grinch, a grouchy old bah-humbug if there ever was one! He dressed up as Santa, squeezed down all the chimneys in town and stole every Christmas tree (with the ornaments,) the twinkle lights and the filled-up stockings, leaving behind only empty hooks where mistletoe and pine cones had hung. Just because he was a real meanie.

The Grinch stole something from me too. My writing time. Usurped by the magical Christmas dance. We decorated the tree with nostalgic ornaments; I got lost in the excitement of presents, wrapping paper and ribbons; I made three versions of cornbread with cranberries, “editing” them until I mostly found the taste I remembered. I was tired at night, but happy.

Here and there I felt little niggles of guilt, longing to be at my desk. I always have little niggles of guilt and longing when I’m not writing something. The empty space inside doesn’t feel good.

The Grinch stole my writing time but he filled it with Christmas instead. Little sixteen-month-old Teddy, just beginning to toddle around like a miniature person, holding out his arms to me, his Gramzie, despite his sniffles. My heart melts. And the fourteen-month-old twins, Sadie and Layla, insisting on crawling up the stairs, rocking and clapping to any strain of music. My heart keeps on melting. I was immersed in a constant state of delight and family love as well as family dramas.

So Mr. Grinch. Guess what? Your grabby ways were a blessing. I’m refreshed and ready to snuggle up with my computer again, bringing an extra dose of awareness to my writing journey.

Did the Grinch steal your writing time too, writers? He has to go away now, or better yet morph him into your ally. In the book the Grinch loves Christmas in the end and brings happiness to the town. I might even let him sit next to me at my desk.

Much inspiration and soul-satisfying writing moments to you all in 2016!

LINKING THE ARTS

A Holiday Word: Gift… Every moment can be a possible gift to a writer, especially the unlikely, frustrating, mysterious ones.

Image: Ebenezer Scrooge, the grandfather of all the bah-humbugs, in Dickens’ A Christmas Carol.

WRITING THE INCIDENT

Posted on October 29, 2015 by writ7707 Posted in The Writing Life, The Writing Muse, Writing, Writing from a detail, Writing Inspiration, Writing Muse, Writing the Incident Leave a comment

Writing Practice and Meeting Up with Your MUSE

Writing Leap #59

Writing the Incident

Hi Writers out there,

Things happen to us every day. Ho Hum things. Like spilling a box of clementines on the super market floor. Or finding a stash of acorns on the back seat of the car. I find that almost anything can ignite a story if I don’t get all “writerly” about it and just let my imagination fly me on its back to who knows where? Like a father and a son in a car, for example.

Dad does not stop lecturing me about defensive driving habits. Honestly? I don’t know how he can concentrate on the road and go into such detail about safety behind the wheel plus horrifying possibilities–at the same time.

Get this. As we approach the entrance to a four lane highway he says, “Always, always ease up to the highway slowly, Teddy, and look around you.” He gives me his, “I’m wise, you are not,” look. Doesn’t he realize I’m fourteen and know everything there is to know about driving a car?

Suddenly a car swerves around our Jeep from behind, budges ahead of us and zooms onto the highway.

“What the heck?” we both say.

The car zips over to the left lane, cutting off cars in its way. Then switches lanes back and forth to get ahead. Dad tries to keep up with it lane to lane. Clearly he was forgetting his own advice. “I have to get a glimpse of this idiot driver,” he says. “Has to be a real jerk.”

We pull next to the idiot driver and stare.

It’s Grandma.

She pretends not to see us and pulls her hat lower on her face. My cell phone rings. “Teddy? Don’t tell Grandpa about my driving style. Just tell him I’m a real slowpoke on the road. I love you.” I hear the dial tone.

“I guess it wasn’t Grandma who taught you to drive,” I say to Dad. He had to laugh. He grins at me ad I feel real close to him in that moment. I sort of feel we will laugh about this together for a long time.

***

The inciting incident for this story was just one moment when someone pulled in front of me and dashed onto the highway. I actually pulled over and stopped to write down my imaginary scenario. That’s why I always travel with notebook and pens. You never know when your muse will snuggle up.

Here’s to all of our imaginations!

LINKING THE ARTS

The Blue Boat: A painting of a father and son by Winslow Homer

A Good Word: Bonding, as in father and son moments when their hearts meet in familiarity and love.

WRITERS AND LOOKING AT ART

Posted on October 15, 2015 by writ7707 Posted in Art and Writing, The Writing Life, The Writing Muse, Writing Inspiration, Writing Inspired by Art, Writing Muse, Writing What You See Leave a comment

Writing Practice and Meeting Up with your MUSE

Writing Leap #58

Hi Writers,

Isn’t it extraordinary how so much in our world can nurture our creative souls? A hill of sun bright orange pumpkins piled up next to haystacks on a farm. A small sculpture of a whimsical horse by Picasso. A warm table setting with crystal sparkling in candlelight next to soft blue napkins.

As writers we can be open to any experience that expands our creative sensibilities and helps us write with a ripe imagination.

For those who are inclined, viewing a work of art is one way to continue developing our instincts as an observer, to own our experience and reinforce our repertoire of emotions. Simply for the feeling of being moved.

Philippe Delaunay, a French art collector and connoisseur, cajoles us to do just that. Enter the world of the artist, he says, and just feel. Without any preconceived notions about style, technique or an artist’s repertoire. He writes:

Is it useless to try and explain a work of art?

Or is a work of art sufficient unto itself? More than ever we are subjected to a flood of literature by art critics and art historians attempting to show us the where and the whys, seeking to interpret what an artist has felt or to reveal what the work “means.”

This makes no sense…..

Let’s let a current work of art live for itself, without filling up the air with artistic explanations that are so often superficial. A work of art must be allowed to breathe freely and defend its own existence just by being. True artists are visionaries. They unconsciously approach that which is invisible and try to make it visible. It is difficult, if not impossible, for anyone other than the artist to affix his own words or sentences to someone else’s vision, without often becoming guilty of misguided or biased interpretations.

Through his own writings the artist himself may explain his creative vision and offer his thoughts in words. Here words and images do become a cohesive whole.

What is important for the observer of a work of art is to approach the work with his whole self without asking questions, without having read or listened to commentaries—and simply let himself be pulled into the world of the artist, bringing about moments of communion, moments of silence.

A work of art speaks for itself and if words are necessary to explain it then it is no longer a work of art.

Translated by Cynthia Magriel Wetzler

***

So writers. Don’t look at the plaques next to the painting for titles and dates. Jump in and find your own experience. Maybe the feeling will inspire a story totally unconnected to the facts of the painting itself.

What do you think? Agree wholeheartedly? Disagree violently? Let me know!

LINKING THE ARTS

Jackson Pollack

I looked at this painting for a long time. Got inside of it. It frightened me. Then I wrote a story about a lost child.

Good word: Uncluttered. As in a pure state of mind open to authentic experience.

No books on artists or art criticism. So you can have your own time with the work of art. Not someone else’s.

WRITING AND VERBAL EXPRESSIONS

Posted on August 24, 2015 by writ7707 Posted in Literary categories, The Writing Life, The Writing Muse, Writing, Writing from a detail, Writing great dialogue, Writing Inspiration, Writing Muse 2 Comments

Writing Practice and Meeting up with your MUSE

Writing Leap #56

Hi Writers,

My sister, Laurie, and I were laughing recently and reminiscing about our late mother’s wonderful farm town expressions. They were part of her even after many years of living outside a big city. Mary Magriel was a country girl from upstate New York and her turns of phrase revealed so much about her nature, her background, her era and what tickled her.

What about giving your characters expressions that express their personalities, perhaps their biases or fears. Particular turns of phrase, either unique to your character or not, is one way to give readers a gateway into your character’s make-up and your fictional world.

So writers, listen to your characters! How do they express themselves? They may be telling you a lot.

Mary Magriel’s Expressions: What they reveal about her.

Some of these are doozies. Her word. Thank you to my sister for remembering so many and for enjoying them together all over again.

“There’s more than one way to skin a cat.”

Our mother would persist until she figured out a solution. Nothing was too much for her. Fitting things in a tiny closet, dashing her famous tomato seedlings over to a friend right before it was time to prepare dinner.

“I like to trade at the local butcher.”

Does anybody today say, “trade at the “A &P?” No! Trade is a farm town term from an era gone by. I would think it came from the fact that farmers traded their crops for goods. Our mother “traded” with a sharp eye for quality.

“My heart is klopping.”

As in beating hard. She either made this up or it was some version of a Yiddish word. Our mother, a Protestant, adored Jewish expressions. Maybe it was an expression of her love for our father who was Jewish and who loved to joke around with old Yiddish sayings. She would laugh and laugh, pleasing our father no end.

“Slower than molasses in January.” This just sounds really small town.

“Your father took us all the way around Robinson’s barn.”

There was no Robinson’s barn. It was how she expressed getting lost. Barns evoke rural environments and that’s where she grew up.

I wish my sister and I could remember more. Her farm town-isms bring her back.

Happy Writing! May you create many perfect expressions for your characters.

LINKING THE ARTS

A Wonderful Book

A Thousand Acres by Jane Smiley: An authentic rural voice and the winner of the Pulitzer Prize for Fiction in 1992

A Funny Word

Hayseed, as in country boy. Slightly insulting. My father occasionally teased my mother about her high school boyfriend. “Only a hayseed like Tommy would say, ‘No matter how thin you slice it, it’s still baloney,'” my father kidded.

“Robinson’s Barn”

Red Barn by Esther Marie Versch

WRITING A CHARACTER DESCRIPTION

Posted on June 5, 2015 by writ7707 Posted in Character Description, Description, The Writing Life, The Writing Muse, Writing, Writing Description, Writing Inspiration, Writing Moment to Moment, Writing what you mean 2 Comments

Writing Practice and Meeting up with your MUSE

Writing Leap #54

Writing a Character Description

Hi Writers,

I belong to the Society of Children’s Book Writers and Illustrators (S.C.B.W.I.) They have a new offering for their members. Write a 50 word description of a character for a children’s book, using the word wart. They will post it on their widely-subscribed website (scbwi.org) for agents and editors to see.

At first I dismissed the idea. I wasn’t inspired by warts. Then my closed mind decided to open up and I had an idea! Big lesson: Consider everything as inspiration for your writing. Don’t be an inspiration snob like me. Stretch!

Writing a 50 word description of one of your characters is great writing practice for showing not telling. Fifty words is a challenge to try and evoke, not describe, something about your character that is real. Try it Writers! It’s really satisfying, I found.

Here’s mine inspired by the word wart.

The plump Queen had a wart on her bottom. So embarrassing. Especially when she sat on her throne and cried, “Ouch!” Her round cheeks blushed cherry red, her round mouth resembled a doughnut and her round eyes opened as wide as two apple pies. She heard everybody giggling quietly.

Happy Writing Everybody,

LINKING THE ARTS

The Queen, trying her best.

A Favorite Word: Evoke, as in to summon or suggest. This is one of the jobs of our muse.