writing muse Archives - Writing Like a Dancer

WRITING STORIES FROM HISTORY

Posted on November 4, 2017 by writ7707 Posted in Fiction Based on Fact, The Writing Life, The Writing Muse, Writing Historical Fiction, Writing Muse Leave a comment

Writing Practice and Meeting Up With Your Muse

Writing Leap #75

Writing Stories From History

Hi Writers,

Historical Fiction is a blend of your imagination and historical facts. It takes place in a definite period of time and place in history. Your characters are involved in a conflict or situation that is real for that time period.

The serious challenge for us writers is to avoid historical cliché. We have to do our research on the period and then plunge ourselves back there. You don’t have to spell out the historical facts but they should be hovering underneath your fiction.

So writers. Do you have a moment or place in history that feels curiously familiar? Or that intrigues you? You could take yourself on an imaginary time travel trip back there, absorb what it looks like, feels like, sounds like. Did you meet anyone you liked? Loved? Feared? Then transport yourself back home and write about it.

I’m intrigued by the First Thanksgiving in Plymouth Colony in Massachusetts in 1621. I’m also sympathetic to fourteen-year-olds wrestling with their beliefs. Both appear in my story.

I thought about what might have gone on between the colonists and members of the Wampanaug tribe around that long wooden outdoor table. Did they talk somehow or did they gesture? Did they eat much? Were they suspicious of each other or trying to be friendly? Based on two slim accounts, 32 colonists and 90 Wampanaug feasted together on duck, geese, venison, maybe pumpkin and squash. Nobody knows if the Wampanaug were even invited or just showed up. With five deer. But they were welcomed. Chief Massasoit had signed a peace treaty with the Pilgrims.

Here’s my imagining of that first gathering.

The First Thanksgiving

He would eat standing up. To sit next to an ash-skinned man at a crowded table, maybe have to touch arms, would kill him.

He was fourteen.

He was a ferocious Wampanaug warrior.

And he would stand.

As far away from those moon-colored faces showing all their teeth as he could.

Which wasn’t far. He felt his father’s eyes flashing fire at him.

But even if his father suspected his thoughts he would never see them on his son’s face. The muscles around the young warrior’s eyes and mouth were as still as stone.

His sharpened weapon hung loosely at his side begging him to grab it.

Lots of gunfire this morning from this white settlement. Surely an attempt for a full out attack on his whole tribe. Peace Treaty? Ha. He wasn’t a fool. His blood raged. He would devour them. Chop them up like whale meat. He was well aware of how easy that would be for him.

She brought him a platter of paleface overcooked venison and stupid-looking sqishy cranberries. She was his age, he thought, but mush. Not hard and magnificent like his mother and his sisters.

“Seconds,” she asked? Washed out blue eyes. Worst of all she had yellow straw for hair. A freak.

He just stared.

And then pinched her breast through her starched apron. Hard.

Her mouth flew open and her eyes rolled back and she collapsed to the ground. In a dead faint.

He didn’t have to look at his father to see the gesture of fury directed at him. It said, “Leave. NOW.” He walked back into the woods and mounted his horse. Had his fearless father gone soft? His heart shrank with pain at the thought. No, impossible. He stiffened as he felt the terror coursing inside his body. He leaned forward and put his head on his horse’s neck. “Is it just you and me now,” he whispered in his horse’s ear? He rode on through the woods like that, leaning over with his head resting on his horse’s neck, for a long time, even closing his eyes.

The horse sped up. The young warrior sat up straight, squinted his eyes and clenched his mouth. He was ready for his public shaming, in front of the whole tribe, sure to come.

***

Happy Writing Everyone and Happy Thanksgiving!

LINKING THE ARTS

An Evocative Engraving by Charles Henry Granger, 19^th century, entitled, “The Pilgrims Receiving Massasoit.

Maybe my fuming young warrior is in this crowd?

This post is a rewritten version of my November 16, 2013 post, “Writing Historical Fiction.” I reimagined the character of my young Wampanaug warrior, putting myself deeper into his head and heart. What might this experience felt like to him?

I Like this Book

Thanksgiving by Sam Sifton, National Editor and former restaurant critic for The New York Times. He is very funny. His book is full of tips and comments both culinary and amusing.

***

WRITING ABOUT NARCISSISM

Posted on April 1, 2017 by writ7707 Posted in Character Description, Commentary News, The Writing Life, The Writing Muse, Writing, writing about empathy, Writing Inspiration, Writing Muse, Writing the Political Mood Leave a comment

Writing Practice and Meeting up with your Muse

Writing Leap #74

WRITING ABOUT NARCISSISM

Hi Writers,

Wikipedia. “Narcissism is the pursuit of gratification from vanity or egotistic admiration of one’s own attributes.”

Most of us have had some acquaintance with narcissistic personalities, either personally or in fiction or in public figures in the news. Narcissism can reach across a broad spectrum from “self-involvement” to serious psychiatric disorders.

This is rich territory for writers. Do the characters in your story get pulled in by your fictional narcissist? Do they fight it? Do they suffer from it? Each response to the narcissist can reveal deep layers in your other characters. Why are they responding this way? How does this affect the plot?

Here’s my narcissist.

Richard spun completely around when he spotted the sleek orange car parked on the cobblestones near the main piazza. He let out a long, low whistle. “Man!” he said. “That’s a brand new Ferrari convertible!” He pushed his hands into the pockets of his Virginia Tech baseball jacket and peered inside. The dashboard, steering wheel, the whole interior gleamed up at him, an awesome, lustrous saddle brown nest for two.

“Can you imagine winding around the narrow coast road in that car,” said Richard’s friend, Maudie? “Yikes.” She pointed to the steep cliffs bordered below by a ribbon of a road that looked down onto an aquamarine ocean. “I bet you’d give anything to drive that car.” Richard ignored her. He seemed mesmerized.

Their student group had just arrived in Ravello, down from Naples in the Gulf of Salerno on the Amalfi coast. It was the last leg of their tour. Maudie played the part of Richard’s buddy since he had informed her straight out, in front of some other students on their tour, that he and Maudie were friends, just friends, nothing romantic. He had given her a glance that said, “My girlfriend? With a jellyroll behind like yours? I don’t think so.”

Maudie was smart. Richard cut her off every time she talked about medieval Italian history or spoke a few words of Italian. He would just budge in and mimic an Italian accent in English. Richard wasn’t learning a word of Italian. He had trouble with languages, a fact he denied to himself. Only idiots bothered to learn a language they would never use, he claimed.

Richard walked around and patted the back of the orange Ferrari where the huge engine lived. A Ferrari was sheer power with a capital “P.” Ferrari’s ruled the road. And guess what. Richard made damn sure he ruled his universe. His gaze was slightly threatening, his bearing straight and unyielding. He WAS the Ferrari, irresistible, he thought, unconquerable.

A young man with a sweater tied around his shoulders in that nonchalant Italian way came into view. Maudie just knew he lived here, was born here. He walked down the narrow sloping street as sure-footed as a graceful mountain goat. Maybe he lived in one of those big white stucco houses in the steep cliffside gardens high above sea level? “So beautiful,” Maudie thought, as her eyes swept across the cliffs bursting with wild purple orchids and big stretches of moss green olive trees dotted with pink blossoms. She had done her botanical research.

“Hey, that’s the son of the owner of our hotel,” said Richard. He showed his palm to Maudie and traced out a dollar sign. “They have big bucks. His father owns lots of hotels.”

“Ciao,” said the young man approaching the car. He put his hand on the door handle.

“Ciao,” said Maudie. Naturally he had big brown eyes and dark curly hair and a smile full of Italian sunshine. Did her new white jeans make her look too fat? Yes, of course they did. Everything made her look fat. Because she was fat. Not huge fat, but clearly chubby. Richard had actually said in front of the whole group at dinner last night that she should lay off the pasta, ha-ha, and once again her face had flushed humiliation red.

“Uh, ciao,” said Richard. “Really cool car.”

“No Inglese,” the young man laughed, but reached out to shake hands with Richard and Maudie. “Beppe.” He pointed to himself.

“I’m Richard. We’re staying at your hotel.” Beppe concentrated. “Ah, l’albergo di mio papà.”

Maudie nodded and stuck out her hand. “Maudie.”

Beppe swept his arm out to offer a ride in the Ferrari. He put up one finger to show there was only room for one passenger.

Even though Maudie had made an effort to appear carefree and continental and had put a flower in her hair, she made no attempt to get in the car before Richard. “Beppe is dynamite-looking,” she thought. “He would never want to take me anyway.”

Richard pushed her slightly and slid into the low, curved passenger seat. It wrapped his body in utter comfort. He ran his hand across the leather on the side of his seat. Soft as butter. He tapped Beppe on the shoulder. This will be so funny, Richard thought. He pointed to Maudie and acted out being sick to one’s stomach. He pretended to throw up all over the perfect leather steering wheel. He pointed to Maudie’s stomach and shook his head, “No, no.” Beppe shrugged his shoulders, smiled at Maudie in an embarrassed way, and pushed the red thumb start button on the wheel.

What a steering wheel, full of controls and the Ferrari insignia, a yellow and black prancing horse. “Cool, so cool.” Richard said. They buckled up and took off, a lightning bolt skirting around the busy piazza. Maudie heard the initial roar of the incredible motor settle into a low hum of contentment. Richard waved at Maudie without turning around. She heard him shout, “Sorry Maudie!” I bet she wishes she were me, he thought. Within ten seconds he had completely forgotten about her.

***

Richard is a real narcissistic jerk, right? He wants to ride in the Ferrari and he WILL ride in the Ferrari. Why? Because this is what he wants, that’s all. He humiliates Maudie just because he can. Empathy is not an option for him. Her feelings? He has no idea about them. Besides, Maudie’s intelligence may show him up at any given time.

Narcissistic characters in your stories can sneak into the lives of your other characters and cause chaos, puffer fish that poison unsuspecting diners. We dislike characters so blatantly self-absorbed and cruel. However, authentic antagonists deepen our story. We just have to watch out that our narcissistic character doesn’t become one-dimensional, an unbelievable caricature. So maybe Richard could rescue a wounded alley cat, bring him to an animal shelter and not tell anybody about it? Then we ask, does he do it to feel magnanimous or does he just do it?

Go ahead writers! Create your narcissist. He or she will open up a treasure chest of possible reactions from your other characters. Maybe Maudie goes back to the hotel and organizes a group of her fellow students to shun Richard? Or maybe a friend helps her to really understand that her humiliation in the piazza was Richard’s problem and not hers? Let’s have Maudie get her ride in that sensational orange Ferrari. Let’s have her laugh with her friends and fall in love with Italy.

***

Doing the research for a piece of writing is for me one of the best parts of the whole process. Thank you to my sister, Laurie, an enthusiastic connoisseur of Italy, for giving me a picture of the geography of the area. Thank you to my son, G.J., a passionate car person if there ever was one, for deepening my appreciation for the incredible Ferrari. Our “research trip” together to a Ferrari automobile showroom to see the actual car, chit-chat with a salesman in love with these cars and get caught up in the Ferrari mystique was more than fun.

And finally, I have been floating around in a semi-haze of writer’s block for three months. The current political news, and my writer’s obligation to respond to it (indirectly), snapped me out of my creative fog. I am so happy to be back. Thank you New York Times. You are definitely not fake news.

Happy Writing Everyone,

LINKING THE ARTS

Images

Books

The Picture of Dorian Gray by Oscar Wilde, 1890

Look what happened to poor Dorian Gray, the quintessential narcissist.

WRITING SOMETHING CRAZY

Posted on December 12, 2016 by writ7707 Posted in Character Description, The Writing Life, The Writing Muse, Uncategorized, Writing Leave a comment

Writing Practice and Meeting up with your Muse

Writing Leap #73

Hi Writers,

Sometimes a character may feel compelled to do something that he or she thinks is a little crazy. Your readers may not expect this from your character but the unexpected always makes them turn the page faster. The caveat is, however, that “the crazy” probably shouldn’t come out of nowhere and thus make your character unbelievable.

A little “crazy” is one way to add layers to your character and avoid one-dimensionality.

Mike was a regular guy. People liked him. He smiled, said “hello” easily and never got too ruffled when things didn’t go his way. He wasn’t one to get overly excited by, say, a bright blue sky or the flowers in his wife’s garden. Oh, he admired the garden from afar. He just didn’t want to get in there and dig.

What Mike loved was his family and his work. He trained engineers. His young daughter gave him a bunch of zinnias from the garden to put on his desk at work. They were yellow, orange, pink and one big red one. The red one caught his eye right from the beginning. As the zinnias began to wilt he threw them out one by one into the wastebasket. But not the red one. It was as fresh as when his daughter had picked it three months later.

Mike could not get over the tenacity of this flower. He began to talk to the zinnia, privately, in his head. “You are something,” he thought. “What stick-to-it-ness.” And as the weeks went by and the flower stayed red and perky Mike whispered to it, “I love you.”

When the zinnia finally began to wither after four months of red radiance Mike accepted that the flower needed to rest now. This zinnia had almost made it to Christmas!

Mike snuck into the garden making sure nobody spotted him. “This is, of course, totally nuts,” he thought. He buried the red zinnia in a clump of dirt in the corner of the garden that had been put to bed for the winter. After months of loving the red zinnia, putting it to rest in the garden seemed right. He felt good. Really good. He just wouldn’t tell anybody, that’s all.

Happy Writing Everyone!

LINKING THE ARTS

Literature

This is a quote from the 19^th century American poet, Walt Whitman. It’s from the poem “Song of Myself” included in his work “Leaves of Grass.”

“Do I contradict myself? Very well, then I contradict myself. I am large, I contain multitudes.”

I think Walt Whitman explains Mike and perhaps all of us.

The Visual

Three different responses to a red zinnia

WRITERS AND MEMORY BEAMS

Posted on September 21, 2016 by writ7707 Posted in Anecdote, Personal Writing, The Writing Life, The Writing Muse, Writing about Young Children, Writing Emotional Moments, Writing from a detail, Writing Inspiration, Writing Muse Leave a comment

Writing Practice and Meeting up with your Muse

Writing Leap #70

Hi Writers,

You know how the flash of a memory can suddenly bloom in your heart, full of feeling and clear visual details? These beams from the past can illuminate rich, loamy soil for story-growing. Another source of inspiration!

For me, the moment comes unbidded, unlike moments I may search to remember. That’s the beauty of a memory beam. It’s our muse whispering in our ears from deep down. I’ve found the moment usually carries a lot of emotion. I’m there. I feel it in my pulse.

I’ve even wondered if these memory flashes appear to writers for a reason. To push us to write? To understand? Or for me, this time, to relive a loving closeness between me and my then six-year-old son, G.J., thirty-three years later.

G.J. and Mama in Vermont. As it Really Happened and Brought Back by a Memory Beam

The long farm table in the small country dining room was set at one end for just four people; G.J., me and the husband and wife proprietors of a small inn near Sugarbush, Vermont. We were the only guests, there to ski.

Was that LASAGNA I smelled coming from the kitchen?! I looked at the wife as she brought in the warm fragrant dish and set it down in front of G.J. “Your Mom told me this was your favorite, favorite thing to eat. I made it special for you.”

I looked up at her sweet face. “How kind and wonderful. Thank you,” I said softly. The atmosphere called for softness. G.J.’s big brown eyes grew wide and his smile was sunshine on his adorable face. (I’m allowed this. I’m his mother.)

“Wow,” He said. “That’s a lot of Lasagna! Thanks!”

And later, “She doesn’t even know me and she made me Lasagna.”

After a day of skiing we tromp back into the Inn covered with snow. We had left a copy of “Charlotte’s Web,” a book we are reading together on the night table. The husband says, “I saw your book, G.J. Hope you don’t mind that I read it. One of my favorites from when I was your age.”

This tickles G.J. who was feeling so good about his runs down the mountain. He was a great little skier, advanced for his age, and I was hoping he believed me when I praised him and that he really felt it. Like most children, he had a little shy streak. I looked at him taking off his boots. I felt our special time together.

At some point the doorbell rings at the Inn and the couple greet friends. “Evening Brother John. Evening Sister Mary. Come in!”

Perhaps they were Quakers. I don’t know. But they created an environment where G.J. and I were so happy. I love thinking of them. I cherish the memory of our trip to Vermont, just G.J. and Mama. Thank you, my muse, for bringing it back in such a gush.

So Writers. If you like, create a story around a spontaneous memory. As it happened or as inspiration for your fiction. You never know when a memory beam will light up an idea. Here’s to your very own muse,

LINKING THE ARTS

Books: Charlotte’s Web by E.B. White

Sharing a book with a child is an act of love.

Word: Kindness. As shown by the gentle innkeepers in Vermont. The spontaneous whoosh that flows out golden and can make a child feel much loved.

WRITING ABOUT CHILDREN

Posted on August 10, 2016 by writ7707 Posted in Uncategorized Leave a comment

Writing Practice and Meeting up with your Muse

Writing Leap #69

Hi Writers,

WRITING ABOUT CHILDREN

Writing fiction can be a heart-expanding journey. With all characters that we create, we succeed most when we are able to inhabit their internal world. With children we are challenged to hop back into their experience and bring them to life as they really are, not seen through the eyes and pen of our adult selves. Fictional children, to come across as authentic, require that we go right to a most sacred part of ourselves, our empathy, our ability to feel another person deep down. If we can become our fictional child, without looking down on her because she is shorter, that child will come alive in our stories.

So writers. Create a child and have a wonderful time, “scoring that home run with the older kids.”

Here’s mine.

Emma snuggled in between her Grammy and Grandpa. It was a magical time to be out, really late, like 10 o’clock. Nice music floated out of the gazebo in front of them and the summer moon looked pretty in the dark sky.

Emma clutched her doll, Arabella Ann and gave her a quick kiss. She looked over at Daddy’s sad face. Tears flooded Emma’s eyes again and the ache came back. She held Arabella Ann even tighter against her chest. Where was Mommy? Why had she left? She’s been gone since Tuesday. That’s three whole days. Emma let herself sink into Grammy’s arms and felt herself shaking. “Shhhh, my darling,” Grammy whispered. Her voice cracked and Emma heard the pain. “We just don’t know why she went away.”

Emma’s eyes followed a couple dancing on the grass. She got off Grammy’s lap and walked with Arabella Ann over to the gazebo and the music. Clutching her doll close, she began to dance and twirl around and around and around. She stopped twirling. “I’m your Mommy, Arabella Ann, and I will take care of you forever and ever and not leave. Even if you are a bad girl. Well, I’ll be mad if you are bad, but only for twenty minutes and then I will hug and kiss you and make you birthday cakes even when it’s not your birthday.” Emma ran back to Grammy’s lap and held on to her hard. She and Arabella Ann fell asleep.

May your muse be bright,

LINKING THE ARTS

Arabella Ann

Books

Harry Potter and the Cursed Child

Harry Potter has grown up. We struggle along with Albus, his youngest son, who hates being a wizard like his famous father. We become Albus, fighting to discover who he is and we feel a personal thrill when he triumphs.

WRITERS AND DOGS

Posted on March 2, 2016 by writ7707 Posted in Literary categories, The Writing Life, The Writing Muse, Writing, Writing about Dogs, Writing about Young Children, Writing Emotional Moments 1 Comment

Writing Practice and Meeting up with your MUSE

Writing Leap #64

Hi Writers,

People have unique relationships with their dogs. Digging deep in your stories and showing how that plays out can illuminate many layers of your character as well as the particular personality of the dog.

I will never forget the moment in the movie “Oliver” when the villain kicks his little dog hard because……who knows why? But in the story Dickens showed how desperate and disturbed the villain was just by that kick. And the reader cringes.

Here’s my dog story. The characters are real but the story is fiction.

Teddy and Murphy

Mom left me alone with my baby brother, Teddy, and now he’s lying in his crib screaming so hard his face is purple.

Annoying. Can’t I just snuggle with Murphy, my new puppy? Mom surprised me with Murphy in the hospital after my operation because I was brave.

Now Teddy’s crying in big gulps. Is he sick? Like I was in the hospital? Oh no.

I pried Murphy off my chest and lifted him into the crib. Teddy put his face next to Murphy’s and fell asleep. “Murphy will make sure you won’t go to the hospital,” I whispered.

Here’s to your wide-awake imaginations, Writers! Do you have a dog story?

LINKING THE ARTS

Teddy and Murphy

A Very Favorite Book about Dogs for children

WRITING ABOUT CHILDHOOD HURTS

Posted on February 1, 2016 by writ7707 Posted in Character Description, The Writing Life, The Writing Muse, Writing, Writing about Childhood Hurts, Writing about Young Children, Writing Emotional Moments, Writing Muse Leave a comment

Writing Practice and Meeting up with your MUSE

Writing Leap #63

Hi Writers,

When young children are diminished, passed by or pushed into the background by adults or other children the result is often a deep feeling of, “Something is wrong with me.” If your young characters experience such hurts it colors all aspects of who they are. Evoke the hurt and your young person will come alive on the page.

Hemingway said, (something like) “Find where the pain is and write about that.” He also said, “Write hard and clear about what hurts.” Here’s my story about Mae, a six-year-old who carries around isolating feelings of not measuring up.

The Plaid Dress

A lady with a soft round face and gray curls sat down near the front of the bus on a seat facing the aisle. Settling in, she smiled at a little girl in a plaid dress across from her who was sitting next to her mother. The little girl didn’t smile back. Instead she lowered her eyes. The lady with the soft round face saw right away that the little girl’s misty eyes were blinking back a veiled sadness. The lady sensed that this was not a sudden sadness, but one that lived deep inside this little girl.

“Did you have a nice time in school today, Mae? The mother leaned over and put her arm around her daughter.”

“Yes.”

“It was a very soft ‘Yes.’ Mae jiggled her foot in a nervous repetitive motion.

The lady with the soft round face and gray curls sniffed twice. It was a magical sniff. She was a magical person. She looked at Mae across from her and here’s what she saw.

It was Mae’s classroom. Her teacher, Mrs. Perkins, was saying, “Sophie, Lisa and Bethany, please come up front by my desk.” Three little girls in plaid dresses got up from their desks and stood beside Mrs.Perkins. “Now you, Peggy, and let’s see, you, Alison. Come up to the front with the others.”

The five girls giggled and whispered to each other. Mrs. Perkins arranged them side by side in a line and asked them to hold hands.

“Now there you are, all in plaid dresses,” Mrs. Perkins said. “Go next door and show your principal, Mr. Green, how pretty and adorable you all look.”

And then the round-faced lady on the bus saw something else in her vision. She saw a little boy next to Mae stand up from his chair and wave his hand madly at the teacher. “Mrs. Perkins, Mrs. Perkins. Wait. You forgot Mae! She has on a plaid dress!”

Mrs. Perkins looked at Mae and glanced away. “No, no, not today. Mae has a sweater on.”

The last thing the lady with the soft round face saw was Mae trying to force a smile. The lady closed her eyes and felt her heart break. The bus pulled over to a stop. Mae and her mother and the lady all got off. The lady leaned down to Mae and said, “May I say that you look so very pretty in that plaid dress! I have a granddaughter about your age and I think I’ll get her a plaid dress for her birthday.” The lady started to walk away, then turned. “She looks a lot like you. Big beautiful eyes and bangs. She lives far away.”

A tiny smile crept onto Mae’s face. It almost stretched into a big smile. “Thank you,” Mae said to the lady with the soft round face. “Say Hi to your granddaughter from me, Mae.”

To write about a child’s deep sadness, from the child’s perspective, can be challenging. What do you all think, writers?

May your writing run deep in any form you choose: realism, humor, fantasy and poetry.

Mae’s plaid dress

Sophie’s plaid dress

Lisa’s plaid dress

Bethany’s plaid dress

Peggy’s plaid dress

Alison’s plaid dress

WRITING EMOTIONAL MOMENTS

Posted on January 9, 2016 by writ7707 Posted in Art and Writing, Character Description, The Writing Life, The Writing Muse, Writing Emotional Moments 1 Comment

Writing Practice and Meeting up with your MUSE

Writing Leap #62

Hi Writers,

Did you ever re-read your writing and cry because you were moved? Are you ever caught in a moment when a line of a play, the resonance of a melody coming through a bell-like voice or the reach of a new skyscraper makes you suck in your breath and blink back tears?

I’ve become increasingly emotional when I encounter something beautiful, something conceived by a person. I feel the deep creative energy, the inspiration and long hours poured into the work.

I got teary-eyed when the curtain went up on the new Broadway production of “An American in Paris.” Dazzling colors and atmospheric lighting and genius design sprung up in one moment.

I saw this photograph online and my eyes misted over.

What if we took some of our own emotional moments and put them into our characters? Altered to suit our character’s personality? It could be a good way to add another layer to his or her persona. Especially if it’s a surprise.

My character, Samuel H. Mellow, has kept his emotional responses pretty muted. Not by design. He just seemed to be programmed that way. His wife, Sunny, didn’t seem to mind. He was very easy to live with, she said.

Samuel H. Mellow sat down on a bench in the Metropolitan Museum of Art and sighed. His wife had dragged him here and he’d had enough of walking around rooms filled with paintings that all looked alike. His bench was facing Rembrandt’s, “Aristotle Contemplating the Bust of Homer.”

“That man looks like my Grandpa. Kind,” said a small boy sitting next to him. Samuel looked up at the painting. His eyes went to the elderly man’s face and stayed there. He felt himself expand inside. “That’s strange,” he thought. And to his surprise his eyes misted over.

“What’s the matter, Mister?” the boy said. “Don’t you like him?”

“Yes, yes. Of course I like him. I love him. Thank you son, thank you,” Samuel whispered and hurried off to find his wife.

Happy Writing all you talented writers out there! Let’s savor our emotional moments.

WRITING AND THE CHRISTMAS GRINCH

Posted on December 27, 2015 by writ7707 Posted in The Writing Life, The Writing Muse, Writing Inspiration, Writing Muse, Writing Time 1 Comment

Writing Practice and Meeting up with your MUSE

Writing Leap #61

Hi Writers,

In his picture book, How the Grinch Stole Christmas, Dr. Seuss created The Grinch, a grouchy old bah-humbug if there ever was one! He dressed up as Santa, squeezed down all the chimneys in town and stole every Christmas tree (with the ornaments,) the twinkle lights and the filled-up stockings, leaving behind only empty hooks where mistletoe and pine cones had hung. Just because he was a real meanie.

The Grinch stole something from me too. My writing time. Usurped by the magical Christmas dance. We decorated the tree with nostalgic ornaments; I got lost in the excitement of presents, wrapping paper and ribbons; I made three versions of cornbread with cranberries, “editing” them until I mostly found the taste I remembered. I was tired at night, but happy.

Here and there I felt little niggles of guilt, longing to be at my desk. I always have little niggles of guilt and longing when I’m not writing something. The empty space inside doesn’t feel good.

The Grinch stole my writing time but he filled it with Christmas instead. Little sixteen-month-old Teddy, just beginning to toddle around like a miniature person, holding out his arms to me, his Gramzie, despite his sniffles. My heart melts. And the fourteen-month-old twins, Sadie and Layla, insisting on crawling up the stairs, rocking and clapping to any strain of music. My heart keeps on melting. I was immersed in a constant state of delight and family love as well as family dramas.

So Mr. Grinch. Guess what? Your grabby ways were a blessing. I’m refreshed and ready to snuggle up with my computer again, bringing an extra dose of awareness to my writing journey.

Did the Grinch steal your writing time too, writers? He has to go away now, or better yet morph him into your ally. In the book the Grinch loves Christmas in the end and brings happiness to the town. I might even let him sit next to me at my desk.

Much inspiration and soul-satisfying writing moments to you all in 2016!

LINKING THE ARTS

A Holiday Word: Gift… Every moment can be a possible gift to a writer, especially the unlikely, frustrating, mysterious ones.

Image: Ebenezer Scrooge, the grandfather of all the bah-humbugs, in Dickens’ A Christmas Carol.

WRITING THE INCIDENT

Posted on October 29, 2015 by writ7707 Posted in The Writing Life, The Writing Muse, Writing, Writing from a detail, Writing Inspiration, Writing Muse, Writing the Incident Leave a comment

Writing Practice and Meeting Up with Your MUSE

Writing Leap #59

Writing the Incident

Hi Writers out there,

Things happen to us every day. Ho Hum things. Like spilling a box of clementines on the super market floor. Or finding a stash of acorns on the back seat of the car. I find that almost anything can ignite a story if I don’t get all “writerly” about it and just let my imagination fly me on its back to who knows where? Like a father and a son in a car, for example.

Dad does not stop lecturing me about defensive driving habits. Honestly? I don’t know how he can concentrate on the road and go into such detail about safety behind the wheel plus horrifying possibilities–at the same time.

Get this. As we approach the entrance to a four lane highway he says, “Always, always ease up to the highway slowly, Teddy, and look around you.” He gives me his, “I’m wise, you are not,” look. Doesn’t he realize I’m fourteen and know everything there is to know about driving a car?

Suddenly a car swerves around our Jeep from behind, budges ahead of us and zooms onto the highway.

“What the heck?” we both say.

The car zips over to the left lane, cutting off cars in its way. Then switches lanes back and forth to get ahead. Dad tries to keep up with it lane to lane. Clearly he was forgetting his own advice. “I have to get a glimpse of this idiot driver,” he says. “Has to be a real jerk.”

We pull next to the idiot driver and stare.

It’s Grandma.

She pretends not to see us and pulls her hat lower on her face. My cell phone rings. “Teddy? Don’t tell Grandpa about my driving style. Just tell him I’m a real slowpoke on the road. I love you.” I hear the dial tone.

“I guess it wasn’t Grandma who taught you to drive,” I say to Dad. He had to laugh. He grins at me ad I feel real close to him in that moment. I sort of feel we will laugh about this together for a long time.

***

The inciting incident for this story was just one moment when someone pulled in front of me and dashed onto the highway. I actually pulled over and stopped to write down my imaginary scenario. That’s why I always travel with notebook and pens. You never know when your muse will snuggle up.

Here’s to all of our imaginations!